Autobiographical Traces of Bond Between A Novelist and Her Characters: The Case of Buchi Emecheta

Authors

  • D. Okyere-Darko Cape Coast Polytechnic
  • U. S. Tetteh Cape Coast Polytechnic

Keywords:

fact, fiction, autobiography, Emecheta, story

Abstract

Most writers write stories purely from their imagination; few others also write to recount their lines in the form of fictional story lines by choosing imaginative characters to represent them. In this regard, this study is interested in investigating the traces of bond between Emecheta and her characters in her novels. Clearly, she does not allow her readers to know the stories are about her.  It is only when readers read her book titled Head above Water (1986) that they come to realize that all the stories they have been reading are Emecheta’s own life stories.  Using the feminist theory, this paper purposively selected five novels of Emecheta and traces the bond that she creates between her and her characters in these novels.  The paper concludes that Emecheta displays mastery over her narratives and succeeds in telling her life story through a blend of both fact and fiction.  

Author Biographies

D. Okyere-Darko, Cape Coast Polytechnic

Assitant  lecturer atUniversity of Cape Coast.

U. S. Tetteh, Cape Coast Polytechnic

A Senior Lecturer at Cape Coast Polytechnic

References

Busby, M. (1996). Foreword, in Umeh, M. (Ed.) Emerging perspectives on Buchi Emecheta.

Trenton, New Jersey: Africa World Press, Inc.

Chukukere, G. C. (1995). Gender voices and choices: redefining women in contemporary

African fiction. Enugu, Nigeria: Fourth Dimension Publishing Co. Ltd.

Chukwuma, H. (1989). Positivism and the female crisis: the novels of Buchi Emecheta, in H.

Otokunefor & O. Nwodo (Eds.), Nigerian female writers: a critical perspective. Ikeju, Lagos: Malthouse Press.

Code, L. (Ed.) (2000). Encyclopaedia of Feminist Theories. London: Routledge.

Davies, C. B. (1986). Introduction: feminist consciousness and African literary criticism, in C. B.

Davies and A. A. Graves (Eds.) Ngambika: Studies of Women in African Literature. (p. 1-23). Trenton, N.J: Africa World Press.

Davies, C. B & Graves, A. A. (1986). (Eds.) Ngambika: Studies of Women in African Literature.

Trenton: African World Press.

DiYanni, R. (2000). Critical Theory: Approaches to the Analysis and Interpretations of

Literature in Drama. Boston: McGraw-Hills Companies Inc.

Duerden, D. & Pieterse, C. (1972). (Eds.) African Writers Talking. London: Heinemann

Educational Publishers.

Emecheta, B. (1974). Second- Class Citizen. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1976). The Bride Price. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1979). The Joys of Motherhood. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1982). Destination Biafra. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1982). Double Yoke. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1986). Head above water. Oxford: Heinemann Educational Publishers.

Emecheta, B. (1994). Kehinde. Oxford: Heinemann Educational Publishers.

Gikandi, S. (2003). Reading the African Novel. Nairobi: Heinemann.

Hawley, J. C. (1996). Coming to terms: Buchi Emecheta’s Kehinde and the birth of a ‘nation’, in

M. Umeh (Ed.), Emerging Perspectives on Buchi Emecheta. (p. 333-348). Trenton, New Jersey: Africa World Press, Inc.

Kemp, Y. B. and Liddell, J. L. (Eds.) (1999). Arms Akimbo: Africana Women in Contemporary

Literature. Florida: University Press of Florida.

Nwapa, F. (1981). One is Enough. Enugu: Tana Press.

Obiechina. E. N. (1975). Culture, Tradition and Society in the West African Novel. London:

Cambridge University Press.

Ogundipe-Leslie, M. (1987). The female writer and her commitment, in Eldred D. Jones (Ed.),

Women in African Literature Today. London: African World Press.

Ogundipe-Leslie, M. (1991). “Interview.†In Adeola J (Ed.) In their own voices: African Women

Writers Talk. Portsmouth, N.H: Heinemann.

Palmer, E. (1983). The Feminine Point of View: Buchi Emecheta’s The Joys of Motherhood,

African Literature Today 13. (p. 38-55) London: Heinemann.

Petersen, K. H. (Ed.) (1988). Criticism and Ideology: Second African Writers’ Conference,

Stockholm 1986. Uppsala: Scandinavian Institute of African Studies.

Schweickart, P. P. (1986). Reading Ourselves: Towards a Feminist Theory of Reading, in Flynn

E. A. & Schweickart P. P. (Eds.). Gender and Reading. Baltimore: The John Hopkins University Press.

Stratton, F. (1994). Contemporary African Literature and the Politics of Gender. New York:

Routledge.

Umeh, M. (Ed.) (1996). Emerging Perspectives on Buchi Emecheta. Trenton, New Jersey: Africa

World Press, Inc.

Uwakweh, P. A. (1996). To Ground the Wandering Muse: a Critique of Buchi Emecheta’s

Feminism. In M. Umeh (Ed.), Emerging Perspectives on Buchi Emecheta. (pp395-406). Trenton, New Jersey: Africa World Press, Inc.

Downloads

Published

2016-04-18

How to Cite

Okyere-Darko, D., & Tetteh, U. S. (2016). Autobiographical Traces of Bond Between A Novelist and Her Characters: The Case of Buchi Emecheta. AFRICAN JOURNAL OF APPLIED RESEARCH, 2(1). Retrieved from https://www.ajaronline.com/index.php/AJAR/article/view/167