The Significance of The Choice of Diction In The S’wamba Folksongs of The People of Edina Traditional Area, Ghana.

Authors

  • U. S. Tetteh Cape Coast Polytechnic
  • C. Derx-Techie Cape Coast Polytechnic

Keywords:

folksongs, translation, S’wamba, songs, diction

Abstract

S’wamba is a collection of terse slow-paced antiphonal traditional folk songs performed by the people of Edina in the Central Region of Ghana. This verbal art of the people is expressed in work songs, play songs, traditional verses, riddles, stories and prayers, but the folk song, from the researchers’ observation is arguably the most popular of their oral forms. The folksong owes its popularity among the people to the fact that it is found in almost every aspect of their lives since almost every significant event is celebrated in song. The study sought to find out how suggestive references in the diction of the song texts are used to communicate ideas to enrich meaning.  The study combined the use of both purposive sampling and random sampling methods to select respondents to reach the well-informed among the informants who were contacted for information on the songs. The deconstructive literary theory was adopted.  In all, fifty (50) songs were recorded, transcribed, translated and analysed.  After the analyses, it was revealed that the S’wamba folk is poetic because the pithy and terse references used in the diction of S’wamba song texts grant the few words of the song texts with layers of meaning and this in turn lends the song texts to different literary approaches of interpretation like any good poetry.   

Author Biographies

U. S. Tetteh, Cape Coast Polytechnic

A Senior Lecturer at Cape Coast Polytechnic

C. Derx-Techie, Cape Coast Polytechnic

A Lecturer at Cape Coast Polytechnic

References

Acquah, L. K. (2002). A Repertoire of Tropes: A Mfantse-Akan Asafo Song Texts from the Cape Coast Area of the Central Region of Ghana. An Unpublished MPhil Thesis Presented to the Department of English, U.C.C

Adali-Mortty, G. & Kane L, M. (1971). Messages: Poems from Ghana. London: Heinemann.

Akyea, F. M. (1999). Gabada Songs of the People of Have in the Volta Region of Ghana. An Unpublished MPhil thesis presented to the Department of Ghanaian Languages, U.C.C.

Angmor, C. (1996). Contemporary Literature in Ghana 1911 – 1978: A critical evaluation. Accra: Woeli Publishing Services.

Awoonor, K. (1974) Messages: Poems from Ghana. London: HeineMann Educational Books.

Bell, R.T. (1991). Translation and Translating: Theory and Practice. London:

Longman.

Cuddon, J. A. (1979). A Dictionary of Literary Terms. London: Penguin Books.

DiYanni, R. (2000). Poetry: An Introduction. Boston: McGraw Hill Co.

Dundes, A. (1965). The Study of Folklore. Boston: Prentice Hall.

Frazer, R. (1965). West African Poetry: A Critical History. Cambridge: Cambridge University Press.

Guerin, W. L., Labor, E., Morgan, L., Reesman, J. C. & Willingham, J. R. (1992). A Handbook of Critical Approaches to Literature. New York: Oxford University Press.

Harmon, W. and Holman, C. (1986). A Handbook to Literature. New York: Macmillan Publishing Limited.

Hawkes, T. (1972). Metaphor. Methuen and Co. Limited.

Hope, P. A. (2005). Abora Etsifi Apatampa Ndwom bi ho Kasadwin mu mp[nsamp[nsamu. An unpublished MPhil Thesis Presented to the Department of Ghanaian Languages, University of Cape Coast, Ghana.

Jones, E. (1992). Orature in African Literature Today. Vol. 18. London: Africa

World Press.

Madden, F. (2004). Exploring literature: Writing and Thinking about Fiction, Poetry, Drama and Essay. (2nd ed.). New York: Longman Pearson Education Inc.

Mayes, F. (1994). The Discovery of Poetry. San Francisco: Harcourt Brace and Co.

Myers, J. Jnr. & Marshall, C. (1963). The Range of Literature: Poetry. Boston: Houghton Mufflin Co.

Nketia, J. H. (1955). African Music in Ghana. London: North Western University Press.

Nketia, J. H. (1962). Folk Songs of Ghana. Legon: University of Ghana

Okai, A. (1978). Lorgorligi Logarithms. Tema: Ghana Publishing Corporation

Okpewho, I. (1992). African Oral Literature: Backgrounds, Character, and Continuity. Indianapolis: Indiana University Press.

Sapir, E. (1949). Language: An Introduction to the Study of Speech. New York: Harcourt Bruce Jovanovich Publishers.

Tyson, L. (1999). Critical Theory Today. New York: Garland Publishing inc.

Vivian, H. C. & Jackson, M. B. (1962). English Composition. New York: Barnes and Noble Incorporated.

Wartemberg, J. S. (1973). Sao Jago D’Elmina Premier West African European Settlement: its Tradition and Custom. Devon: Arthur H. Stockwell limited.

Wilkinson, J. (1992). Talking with African Writers. London: James Currey Limited, pp7-32.

Downloads

Published

2016-04-18

How to Cite

Tetteh, U. S., & Derx-Techie, C. (2016). The Significance of The Choice of Diction In The S’wamba Folksongs of The People of Edina Traditional Area, Ghana. AFRICAN JOURNAL OF APPLIED RESEARCH, 2(1). Retrieved from https://www.ajaronline.com/index.php/AJAR/article/view/168